Review here of the Homeworks IV
show at Sfeir-Semler Gallery in Beirut, as part of which Vlatka and I
have been showing the installation/long-distance performance project To Bring Down A House.
The show ends at the weekend. Given the situation lately in Beirut, its
been a bit unsettling to be constantly sending through proposals for
destruction of a house - physical, psychic, playful, awful and
otherwise - as the project entails. My own contributions (see above)
have become more and more minimal of late. Here's a link to a couple of the earlier ones.
Early this morning, a man described as violent and incoherent burst into a residence and shot two people to death before shooting himself in the head. A man, described as being in his early 20's and wearing a dark shirt and cap, asked if he could spend the night at the Youth For Christ Mission after a Christmas banquet at the center ended. The national assembly also approved a new first vice president, a man described as an aging Communist Party hardliner.
A man described as a polite neighbour died following a vicious assault which included an attack by his own dog. A man, described as being of Aboriginal or Islander appearance and aged in his mid 20s, then approached the victim and threatened him with an iron bar. The police have no suspects but are looking for a man described as white, 5'9," 40 to 45 years old, with a medium build and short brown hair. He has been travelling with a woman described as his "new wife" -- the ex-wife of a Minneapolis police officer -- while continuing to defraud people in the Minnesota area.
On November 12, a man described as a mentally disturbed musician shot dead two American businessmen and an eminent French jurist as they ate dinner at a local restaurant. Six people were killed by gunfire in a Portland auto parts warehouse Tuesday morning, after a man described as a disgruntled employee opened fire. Peter Gladstone, a man described as being a "leech on the resources of the community," was arrested Monday for allegedly stealing a $1.99 can of beer.
Arrested for the Sanderson Memorial Mausoleum wire theft last fall were Hillary Ellen Cooper, and a man described as her boyfriend. She was married briefly in the mid 1960s, to a man described as a gigolo. A man, described as a Hispanic male in his 30s with long, black, combed-back hair, pulled up next to her in a black Toyota. A man, described as white, in his 20s, tall, with an athletic build and sandy blond or light brown hair, possibly in a crew cut, jumped out of the car. Police appealed to members of the public who may have seen a man, described as Maori or Polynesian, of thin build with a gold- or tan-coloured dog on a lead. Police say Elleston was with two other people at the time - a woman described as his girlfriend and a man described as his boyfriend. Police were reported to be searching for a man described as 'middle-aged' and 'flabby', who had gained entry to various all - female groups. A small army of law enforcement officers, aided by helicopters and dog teams, searched for a man described as armed with a small handgun. As the coffin was carried shoulder high out of the stadium, mourners sang "Hamba Kahle Umkhonto" as the final tribute to a man described as a patriot.
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[Been working on lots and lots and lots of the above... it's proving pretty compelling, and extremely addictive. Playing with and discussing for some time now the different possibilities of writing/working with text after Google, after search and replace, after track changes, after Spam-filter text etc - kind of fascinated with the structural and statistical possibilities these things offer, and the kind of access one has to miles and miles and miles of raw text. Need to write something longer connecting this to Vlatka's Google pieces, Graham Parker's spam projects and to some other aritsts I was thinking about. Anyways. This is just a flag for the moment... and a chance to share what's above.]
The new Forced Entertainment performance Spectacular is finally open, after extended sweat, toil and some changes of direction. The completed piece, performed by Claire Marshall and Robin Arthur follows a rehearsal process, and work-in-progress showings last year at B.I.T in Bergen, through which all five members of the core company were on and off the stage at various points whilst the project morphed repeatedly to find its final form. The piece premiered in Essen the week before last (as I wrote briefly here) and we're really pleased with the results. Spectacular plays the Pompidou in Paris this week from Wednesday, followed in due course by gigs in Theatre Garonne (Toulouse) and at Hebbel in Berlin in early July. In Toulouse the performance will be accompanied by a programme of other stuff related and spinning off from the work including my recent neon pieces, a programme of video I've put together featuring great work from Howard Matthew, Oliver Michaels, Aaron Williamson and the lovely Vlatka Horvat.
The sign pictured above didn't make it to the final performance but who knows, maybe it can be a work in it's own right at some point. Made as a quick mock-up for a full-on electrical sign (that of course never got made) we fell in love with the home-made cardboard one for a while before shifting our attentions elsewhere. Perhaps the best part was a period of a week where the letters dropped from the ceiling one by one, leaving an increasingly incomprehensible title above the stage and an accumulating pile of letters below. During the long discussions that dogged the process this pile of letters tended to get used in an on-going side-project/pass time for spelling new words, obscene phrases and general anagrams. Sometimes, looking around the room at the furrowed brows you could wonder if we were all thinking about the show or simply wondering what re-combination of the letters could possibly top RECTAL SAP. Hard to beat.
Full details on the Spectacular dates here - UK touring will be in the Autumn. It's looking like a good piece - simple, strong and binary in its structure, yet pretty easy going, relaxed. There's a nice sleight of hand to it I think. Really looking forward to presenting it around and seeing the reactions.
"If I keep hitting the block, I'll fuck up this acting business. The only way to leave my fucked-up reality is to throw myself into the pretend version of my fucked-up reality."
Just getting into The Wire so I'm more than a series away from the arrival of actors Jamie Hector and Felicia Pearson. Liked this interview with them here at The Guardian though, esp the stuff around Pearson's story of going from drug dealing and second-degree-murder prison time in Baltimore to playing a dealer in the show.
The real-life Pearson, meanwhile, felt as though she'd stepped through a looking-glass... but until well into [the show's] run, in real life she was still dealing in hard drugs - she'd tried to stop, she says but had lost two legitimate jobs because of her prison record - so she had a foot in two worlds, and the experience was disorienting. "Real is pretend, and pretend is real," she writes of that period in her memoir, Grace After Midnight, co-authored with David Ritz. "I wake up in the morning, get dressed, leave my work on the block to walk into a world about make-believe work on the block."
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Meanwhile and basically unrelated, Charlie Kaufman's directorial debut at Cannes this week - Synecdoche - sounds like it might be fun.
[Philip Seymour] Hoffman plays a theatre director whose life is disintegrating. He begins work on a new project which involves putting his life and world on a vast theatre stage. Hundreds of actors are involved. At one point someone says they've been rehearsing for 17 years and they're still not ready to open the play. What is real, what is created and what is metaphor is deliberately blurred.