I just submitted my story for tonights 1001 Nights Cast.
It will be broadcast live at 20.53 UK time at the site above - just
less than four hours from the moment of my posting this. Later it will
be added to the archive on the site where you can read it. I will add a
link as soon as there is one (here it is!). The prompt for the story was "it is murky and opaque". Click on the tags below to find several other things that I've written here introducing the 1001 project and discussing other contributions.
Meanwhile Lyn Gardner at The Guardian has something on her blog here discussing the publication Programme Notes
which she, I and a whole load of other contemporary performance people
have contributed to. The book is available from the Live Art
Development Agency here
and consists of writings, case studies and so on exploring the
relationship between mainstream theatre venues here in the UK and more
experimental practise. Its a fraught topic, and one which can induce
feelings of despair (!) but the hope is that things in the UK are
slowly shifting towards a more challenging, open and inclusive
definition of what theatre might be, especially in the larger spaces.
Let's hope, keep fingers crossed (and lobby), that further cuts to the
Grants For the Arts scheme, or a negative result for the Arts Council
in the Government's upcoming Comprehensive Spending Review don't make
the environment for innovation even more precarious or hostile.
I definitely won't be applying for this
which sounds more insane than almost anything Ballard ever dreamed up.
You can wonder really what the organisers - the European Space Agency
and the wonderfully titled Institute of Biomedical Problems - are
looking to discover. Perhaps the strangest thing about it though is
that Endemol aren't involved in any way, at least not yet. As soon as
the floods have subsided I am thinking of organising a similar
experiment in my cellar, if anyone wants to participate.
A place to eat where the words ‘fresh food prepared on the premises’
seemed more like a warning than any kind of advertisment or inducement
to consume. Indeed as a statement it only seemed to flag the need for
more detailed enquiries, suggesting questions like – where exactly on
the premises was the food allegedly prepared, by whom and when?
*
A very strong new story from M John Harrisonhere at 1001 Nites Castfrom the great prompt "not a hint of irony".
Maybe it's my jetlag but this one seems more melancholic than the
others Mike's done there. Perhaps it's all in the narrator's distance
from events, and in his articulation of a world in which certain
possibilities cannot or should not, or can no longer be explored.
For no good reason (I think) the story brought to mind these lines which I'd cut and pasted from an online guide to Beijing, a few of years ago.
After the destruction of all the capital's dogs in 1950,
it was the turn of sparrows in 1956. A measure designed to preserve
grain, its only effect was to lead to an increase in the insect
population. To combat this, all the grass was pulled up, which in turn
led to dust storms in the windy winter months.
I'm writing again for the 1001 project on Friday - I have
the feeling its going to be a strange one since because of timezones
I'm getting the prompt first thing in the morning and I have to have it
written by noon.
There's a collection of white plastic garden furniture stood beside the
pool in the hotel basement. Six chairs, a couple of loungers, a trio of
small tables (maybe footstools, its hard to say). On one of these, in
any case, set at an angle like the earth titled on its axis, is a green
apple, from which several bits have been taken. A man is swimming with
his daughter, some blokes come and go from the steam room. Nothing
happens.
Later a woman wearing some kind of semi-uniform (in the general area of
nurse/dental hygenist/pharmacist), comes out from the health-spa
reception and dons a pair of the white latex 'Inspection Gloves' from
the box that's lain on the floor near the entrance. She walks over to
the small table, picks up the apple in her gloved hand, and takes it -
held at a sceptical distance from her body - back out towards reception
for disposal I guess, or some kind of forensic analysis.