Heading to TQW (Vienna) tomorrow for this Dialogues series put together by Adrian Heathfield and I. It runs Thur. 22nd – Sat. 24th Nov.
The Dialogues series.. is the continuation of their intensive analysis of the ambivalent tension between creativity and critical analysis. In Dialogues they explore the importance of the lecture performance for knowledge production in performance art. Paradigmatically, they not only present two lecture performances, but in a ten-hour marathon they also create direct encounters between artists, thinkers and curators, which is at the same time intended to be serious and playful, organised yet uncontrolled. Variants of public discourse are rehearsed around art and performance, with games and rules of relationships being explored on the basis of the most penetrating and productive questions. Dialogues produces the emotions of a live encounter within the boundaries of experience and thought.
Or something like that.
There will be a lecture/performance from Adrian and I called In So Many Words, and a lecture from Matthew Goulish and Lin Hixson of Goat Island, titled Every House Has a Door. Most exciting perhaps will be Saturday's epic discussion event The Frequently Asked for which Adrian and I are joined by: Jonathan Burrows, Matthew Goulish, Lin Hixson, Janez Janša, Joe Kelleher, Bojana Kunst, Alastair MacLennan, La Ribot, Boyan Manchev, William Pope.L, Goran Sergej Pristaš, Alan Read, Irit Rogoff and Rebecca Schneider as well as by Hugo Glendinning (on the video cameras).
What has performance got to do with survival? What place do feelings have in art? Sixteen frequently asked experts from performance and other branches pose frequently asked questions on contemporary art. The spectrum of these questions includes the experimental and metaphysical, the practical and the hypothetical, the mundane and the absurd. The total playing time of The Frequently Asked is ten hours – a marathon in the formation of dialogue pairs each followed by discussion. The audience can join in the discussion and come and go at any time. Etchells' and Heathfield’s play of questions makes good what Vilém Flusser already noted 20 years ago: “And no longer discourse but dialogue will structure future culture; that is, no longer ‘progress’ but mutual encounter.”
Full details here.Permalink
When I say that presence is a kind of a problem, I'm speaking also about the limitations of the body as object that is bound by physicality, by laws of physics, by time, etc. Rooted in performance, my photo works, which are basically events/encounters staged for the camera, will be limited by what an actual body in actual space can do. ‘What is possible’ to depict in an image will be limited/guided/affected by what is possible for a body to do or enact. Doubling as the image-maker and the protagonist, one of the obvious, concrete limitations is that I am unable to simultaneously occupy the space in front of the camera and behind it.
There is a very nice long interview here with Vlatka at the great blog This is That, including a lot of visuals of her work.
In that sense it's not even *about* gaming.. it's about worlds and how we make them, how we understand or creative narrative and narrative possibllity as readers. I mean - I'm really struck by the fact that if you say "In the next level of the game you will need a compass, a rope and a bottle of surgical alcohol" your mind is already starting to construct a narrative - already grasping for what might happen using those things, grasping for connections.
Two more blog reviews for The Broken World one here and one here, plus an interview I did about the book (quoted above) here at Subba-Cultcha.
My friend David Williams started blogging at Skywritings which for the moment is a collection of his occasional writings on and around performance. The sute includes programme-note pieces on recent Lone Twin performances and David's contributions titled Light and Listening for the Marathon Lexicon project which I co-curated with Adrian Heathfield and produced with Forced Entertainment.
Finally my opening address for last years Spill Symposium is included in a new publication/collection Live Art UK/LADA's Live Art Almanac. The Almanac also includes essays by Lyn Gardner, Guillermo Gomez-Pena, Daniel Gosling, Leslie Hill and Rebecca Schneider amongst others. Copies from LADA's bookshop Unbound.
A Stitch in Time (2013)
From More or Less
the continuing drama of untied ends
Neons New (and one 'old') - BAC
Will Be (Frankfurt) 2012
Geukens & De Vil (Knokke)
From More or Less / You Know
Alphabet of Festivals