Another Guardian blog by yours truly, this one about site visits, here. Earlier entries in the same series here and here.

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John Cage said, "If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all." He's right: there's a certain kind of unboring boredom that's fascinating, engrossing, transcendent, and downright sexy. And then there's the other kind of boring: let's call it boring boring. Boring boring is a client meeting; boring boring is having to endure someone's self-indulgent poetry reading; boring boring is watching a toddler for an afternoon; boring boring is the seder at Aunt Fanny's. Boring boring is being somewhere we don't want to be; boring boring is doing something we don't want to do. Unboring boring is a voluntary state; boring boring is a forced one.

Unboring boring is the sort of boredom that we surrender ourselves to when, say, we go to see a piece of minimalist music. I recall once having seen a restaging of an early Robert Wilson piece from the 1970s. It took four hours for two people to cross the stage; when they met in the middle, one of them raised their arm and stabbed the other. The actual stabbing itself took a good hour to complete. Because I volunteered to be bored, it was the most exciting thing I've ever seen.

Came across the above here, in an interesting (not boring) 2004 text by the conceptual writer and artist Kenneth Goldsmith - I also learned in the last couple of days that he's the founder of the amazing UbuWeb, which somehow I didn't know.