| Head Space |
| Friday, 05 October 2007 | |
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Working ugly and hard in Bergen on the FE show, towards very early work-in-progress next week. Work days are 13 hours, there are no breaks to speak of and food is either dialling pizza or running to Spa to get stuff and coming back straight away. All 'meals' are taken whilst meeting, watching video or otherwise continuing to work. People sleep here and there on the floor or in their chairs as we work, the occasional succumbing to exhaustion more or less an accepted part of the routine. Not a good way to live.
Always constructing these very specific (if hazy on inspection) 'versions' and all the time, as well as the detail, trying to see if it 'feels right'. What's amazing to me is how knackering a long day of talking is, especially if you're doing a lot of this (which you could call screening of mental rushes) - it reminds me so much of computers faced with the task of rendering complex moving scenes... Your brain is really working. And it puts you in a very weird relation to the world too - because all the time you are somewhere (in a room, in the studio, sat in a café) you're also largely somewhere else. In this unfolding head-space which you're conjuring, making stuff happen with this cast of figures you have to shift and shunt around the stage. Very weird..." |
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